Showing posts with label Plein Air painting. Show all posts
Showing posts with label Plein Air painting. Show all posts

Bluebells demo

by
Armand Cabrera

The bluebells are starting to peak around the Piedmont here and I had to get out and paint them while they last. They usually come and go in about 10 to 15 days. My two favorite spots are at the old stone bridge at Bull Run in The Manassas Battlefield and Riverbend Park on the Potomac in Great Falls. The Bull Run patch is much smaller than Riverbend Park but provides an intimate setting within the trees along the river. The painting time for this 16x20 was two hours.


In this scene everything is backlit, the sun is low in the sky and is moving from left to right as the sun sets. In a scene like this it is important to lock in shadow patterns and stick to them from the beginning as they will change in a matter of minutes.



I establish my horizon line and big anchor points first in the correct tone and color.



My goal is to cover the entire canvas in the first few minutes to get the color and value relationships that will be constantly shifting later as I paint. While I am willing to incorporate some changes that occur later it is important not to deviate too much or the strong sense of light and shadow is ruined.



Once I have the big shapes established, I start adding elements by designing them into the scene not just trying to copy their placement.



I want to use the colors of the bluebells and there leaves and the game trail that is leading away from me to weave back through the painting breaking up the verticals of the trees and the angles of their cast shadows.



I continue to add elements and refine the larger masses of the painting.



At this point the light has changed enough that I focus on the painting looking up occasionally for information from nature to resolve any passages that haven’t been resolved to my satisfaction.



The finished painting, Bull Run Bluebells 16x20 Oil on Linen

Plein Air Article

by
Armand Cabrera


This will be a short post this week after skipping last week, I will be back to my regular schedule next week.

I am happy to announce the current issue of Plein Air Magazine (February/March 2012) has a three page article about me and my work. I was interviewed by editor-in-chief M. Stephen Doherty for the piece and it includes images of five of my paintings.

SourceTek Products

by
Armand Cabrera

From time to time I get questions about the type of materials I use and where to buy them. For my panel supplies I use SourceTek. It is a small company in Scottsdale Arizona that handcrafts their panels from the highest quality materials. JoAnne and Will Pierce are the owners of SourceTek and they are dedicated to excellent customer care and service.

SourceTek panels are the best panels on the market. I’ve been using them for almost ten years now. I just wanted to bring some of their new products to your attention. They have expanded their panels to include archival hardboard and a less expensive Academic Line that offers the same handcrafted professional quality of the other lines. The Premium line oil primed linen panels are made with Claessens linens. They also use Claessens acrylic cotton canvas for their Universal Line and the Academic line uses a medium weight polyflax canvas.

SourceTek offers three different substrates, Baltic birch, gatorboard foam and archival hardboard. These substrates are available with or without canvas and linen. They now offer more than 350 different panels.

Other products include the Silver Brush Grand Prix line of paint brushes and Holbein and the Che Son Painting Knives. Che Son knives are manufactured in Italy.

SourceTek has always been about providing artists with solutions for their painting needs. For years they have consistently maintained their quality when everyone else is cutting corners. If you are in the market for quality artist supplies and panels I recommend you give SourceTek products a try.



Website:

http://www.canvaspanels.com/

Email:

General Information: Info@CanvasPanels.com
Sales: Sales@CanvasPanels.com
Service: Service@CanvasPanels.com

Telephone:

(480) 483-6883, Arizona and Canada
(800) 587-5462, Toll-Free Within the United States
011-480-483-6883, International

Mailing Address:

SourceTek
P.O. Box 14765
Scottsdale, AZ 85267-4765

Village Square Demo

By Armand Cabrera

I had a great week of painting with my friend Paul Vosper who was out visiting from the Seattle area.

One day we drove up to Winchester and painted in Old town there. It was a beautiful spring day.


We were both drawn to this café scene of the Village Square Restaurant. They were just opening for the local lunch crowd so we set up and got right to painting.


First I made a relatively careful drawing of the scene. Scenes like this one require a more careful approach than your usual outdoor landscape painting. I decided on the placement of my larger shapes and marked those on the canvas.¬


Next I placed the elements in relation to my initial drawing.


Since most of the scene was in shadow I started blocking in my darkest shapes so I wouldn’t paint the rest of the shadow planes too dark.


I then proceeded to work around the canvas to establish the big color shapes of the various elements. Usually I just focus on the value and colors aspects at this stage having already locked in my drawing but in this case because the drawing was so complex I am correcting small errors in size shape and angle as I go.


As the lunch crowd arrives I place them for interest before going on with the rest of the painting. While patterns of light move through the scene I pick and choose their placement to enhance a sense of movement.



I finish with the trees and background buildings and tighten up the people. I let edges go where I think it is appropriate. The complete painting time is three hours. This painting will be the basis for a larger studio painting of the same scene.

 The village Square 12x16 oil on linen

Charles Muench Workshop

I want to announce a great opportunity for artists. Charles Muench is offering a workshop in June.

 I've known Charles for quite some time now and he has become one of the best painters around. I know that phrase gets thrown around  a lot these days but in Charles' case it is backed up with a string of top awards from some of the most premiere events in the United States.


  Charles just recieived the Southwest Art Award of Excellance at the California Art Club's 100 Gold Medal Show this year. In 2010, Charles won the Edgar Payne Award for Best Landscape at the California Art Club's 99th Annual Juried Exhibition. He was unanimously elected a Signature Member of the California Art Club. Charles received the First Place Award at the 2008 Heritage Art Exhibition presented by Joan Irving Smith as well as the Collector’s Choice Award at the 2008 and 2005 Maynard Dixon Country Invitational. Charles was awarded the First Place Award and “Best Painting of the Cove” Award at the 2007 and 2005 Crystal Cove Alliance Invitational in Laguna Beach, CA. He also was honored with the Best of Show/Artist’s Choice Award at the 2006 Telluride Plein Air Show. Charles received the Gold Medal Award at the San Luis Obispo Plein Air Event in October 2002. Charles has had his work included in the Arts for the Parks Top 100 Exhibit. His work is accepted annually in the California Art Club’s Annual Gold Medal Exhibit and the Gilcrease Museum’s American Art in Miniature Exhibition

Don't miss your chance to study with one of the best contemporary painters in the country. Here are the details

HIGH PLAINS PAINTING

Five Day Workshop Painting the Eastern Sierra



Locations include the California Sierra alpine of Hope Valley to the high plains desert of Nevada- all within 30 miles!
Two states and a lot of scenery!

June 13 – June 17th

$550.00

E-mail Charles Muench for deposit and reservation information.


There’s a lot of land between the eastern Sierra and the high plains of Nevada to paint! Come on out and catch the transient beauty of spring in this unique country. We’ll make the most of each day- demonstrations, painting, critique, and taking in the gestalt of a group of artists painting together. We meet each morning at a different location. Having lived in this area for over ten years, I know of a lot of sweet painting spots and late spring in the Sierra is a truly unique experience. We will paint the ranch lands of the Carson Valley. We will paint the vast landscape of the Pine Nut Mountain range looking across to the Sierra range. We will paint the architecture of the rural Sierra town of Markleeville (my personal mountain Wobegon!) I will also offer a special hiking trip, for those who want, to paint the spectacular spring run-off of Markleeville Falls- less than a mile but some up hill (and with the amount of snow, this will be a record year!) For those who don’t want to make the hike- no worries! I will do two demonstrations during this day! I have attached a class description as well as a materials list.

There are many good hotels in the Carson Valley. Here are a few. Budget hotels are also available.